Doy Dogyeong Kim work and lives Daegu with Seoul in Korea.
She explores the boundaries between reality - fantasy and life - death, and builds a virtual world through painting and installation work.
It reconstructs threats and anxiety arising from reality in a virtual world, and through the surreal images , it presents a speculative imagination of existential anxiety and environmental crises. Recently, it is focusing on visually constructing an artificial natural environment based on interest in climate change and environmental pollution, and realizing a new landscape of alternative natural ecosystems.
Major exhibitions include a solo exhibition [Eingang] (2023, Künstlerhaus Bethanien) and a seedling (2021, Daegu Art Factory).
She explores the boundaries between reality - fantasy and life - death, and builds a virtual world through painting and installation work.
It reconstructs threats and anxiety arising from reality in a virtual world, and through the surreal images , it presents a speculative imagination of existential anxiety and environmental crises. Recently, it is focusing on visually constructing an artificial natural environment based on interest in climate change and environmental pollution, and realizing a new landscape of alternative natural ecosystems.
Major exhibitions include a solo exhibition [Eingang] (2023, Künstlerhaus Bethanien) and a seedling (2021, Daegu Art Factory).
김도경은 실재와 환상, 삶과 죽음의 경계를 탐구하며, 회화와 설치 작업을 통해 가상 세계를 구축한다.
현실에서 비롯된 위협과 두려움을 가상 세계 속에서 재구성하고, 초현실적인 이미지를 통해 실존적 불안과 환경적 변화에 대한 사변적 상상력을 제시한다. 최근에는 이상 기후와 환경 위기에 대한 관심을 바탕으로 인공 자연 환경과 대체 생태계의 풍경을 시각적으로 구축하는 데 주력하고 있다.
주요 전시로는 개인전 《[Eingang]》 (2023, Künstlerhaus Bethanien) 《모종》 (2021, 대구예술발전소) 등이 있다.